DIY and criticality

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NOTE: This is a cross-post from the Libre Graphics magazine blog. I felt it would be relevant here, too.

Today marks the final day of the third CulturaDigital.Br festival. In attending talks and Experience Sharing sessions, two things struck me: hackerspaces are wildly popular and people are still surprised that RFID technology has drawbacks. There's something linking the two together. That something is the degree of techno-optimism still present in the DIY, hacker, maker and digital culture communities.

We see brilliant technologies being used by large organizations, often against us or simply to make a profit, and we want a piece of the technology for ourselves. So we get hold of it, we hack with it, we build our own interventions. And this feels significant. It is significant. It matters deeply that people are able to feel ownership over technologies that will only become more enmeshed in their daily lives. It's brilliant to see such enthusiasm and so much effort being put into social change through technological intervention.

The problem, as briefly highlighted by Mimi Hui of NYC Resistor, who presented on the security risks of RFID (Radio-frequency Identification), is that we don't often enough turn our interest in technology back on itself. We spend so much of our time doing interesting things with technology that we often fail to direct an intelligent, critical eye towards the tools of our production. This has been said before. It has been said by many people. But it continually fails to sink in.

Instead, we leave the job to the popular media, eager to jump on every new development and criticize it with little depth. For our intelligent criticism, we look, most often, to security researchers and academics, if we look anywhere at all. But those researchers are, more often than not, not us. They are not the ones attempting to own technologies, to make change with those technologies, to use them for purposes at turns casual and grand.

We leave the critique of our technologies to outsiders, instead of doing it ourselves. Things like the Maker's Bill of Rights approach the problem. Yet we continue with our techno-utopianism. We build for fun, or we build for change. Both are wonderful. But perhaps, though it's been said before, we need to spend a moment, every time we sit down at the bench to produce something, thinking about the ramifications of our actions. In spending a moment to take a holistic view, we might give ourselves some perspective, and some power. We might take the power to criticize out of the hands of those who do not use our tools. We might put that power into our own hands.

Laser reindeer

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Here are about as many reindeer as I can fit into a 24"x12" space. Why that size? Because these reindeer are being prepared for laser cutting. Next week, I'll be making a small herd of corrugated cardboard reindeer. If you're in Toronto, you can join me. I'll be leading a holiday laser cutter workshop at ThingTank. We'll be building cool ornaments out of paper and cardboard, with the help of our friendly laser cutter. It's going to be pretty darn fun, and free, too.

A manifesto for software choice

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You, as an intelligent user of software, have the power of choice.

You have the power to choose your tools, to understand what differences exist between options, and why. You get to decide what is most important for you. You get to decide what makes you angry and what you're willing to live with. You get to decide where to place your effort. Above all, no matter what you choose to do, remember that you have the power of choice. Your tools cannot force you to do anything you don't want to do, because you have choice. If the software you use frustrates you, you can choose to replace it with something better.

You may not realize that you have choice. You may think that you have few options. You may think that the things included with your computer are the things you need to use. They are not. They are a small subset of your options. They are a few things that happen to be in your life, mostly for the convenience of others. You, and only you, have the power to choose what is right for you. Sometimes, that may be difficult. Sometimes, it might feel as if you're swimming against the current.

Remember that you have the power of choice. You can choose for yourself, against the voices on all sides. There is no right, there is only what's right for you. It is your job to decide where your priorities should be placed. It is your job to inform yourself about the things that matter to you. And then, because you have a choice, because you are intelligent and informed, you have the power to choose for yourself.

If you choose to do something difficult, there will be pushback. If you choose to do something easy, there will be pushback. There will always be pushback, because no software is perfect, because no file format or workflow is perfect. It is this recognition that matters, the recognition that you are not powerless against pushback. If you find yourself dissatisfied with the way your software pushes you, you have the power to choose something new, to explore different options. Never feel powerless. Never feel complacent. Because you have choice.

You, as an intelligent, informed user of software, have the power of choice.

-ginger "all-lower-case" coons
Editor, Libre Graphics magazine
Free/Libre Open Source Software user since 2002
F/LOSS graphic designer since 2005

(If you feel the same way, feel free to re-post, redistribute and add your signature.)

The return of Mertgart

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Back in 2009, I wrote about Mertgart, my notional, vertically integrated, lambic beer. At the time, I did a logo for it. Looking at it now, though, I find myself unsatisfied. So I've done a few new logos for Mertgart. It's not there yet, but I'm pleased to have broken the text out of the confines of the bull's eye.

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LED biking gloves

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In late August, I took up biking. Prior to that, it had been about eight years since I'd ridden at all. And I had never used a bike as my primary way of getting around. I was a committed pedestrian and public transit user. And then Jack Layton died, which made me have a serious think about where I fit in the city. So I overhauled my bike and started riding.

In the just-over-two months that I've been riding, I've come to understand why cyclists in Toronto are so grumpy. Every day, I ride about five blocks on St. George, a street with a dedicated bike lane. Every day, I find myself having to swerve into car traffic to avoid cars, taxis or delivery trucks parked in the bike lane. I've already had minor accidents caused by misuse of bike lanes. Short of getting a helmet cam or taking up reporting traffic infractions as a hobby, there's not much I can do about that one.

However, there are some issues I can solve for myself. One is the visibility problem. Biking at night or in bad weather, things can get pretty dangerous. After one too many near-doorings, I've decided to make myself into a very bright, moving object. That's where the LED gloves come in. In addition to my front and rear lights, I decided last week that a little extra glow might come in handy. So I spent part of my weekend working on these little beauties.

They're a pretty basic pair of gloves, with a few added electronic goodies. There's a bright, white LED sewn onto each finger, near the lowest knuckle. The LEDs, as well as the conductive thread wiring, are covered in silicone to protect them from the elements.

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Power is supplied by a battery pack sewn onto the underside of the wrist, where it doesn't get in the way. .

20111031_005.jpgOn top of the forefinger, I've sewn a patch of conductive fabric.

20111031_008.jpgThe thumb has conductive fabric as well. When they touch, the two patches of conductive fabric close the circuit...

20111031_009.jpgWhich makes the LEDs on the knuckles light up. Because my thumb naturally covers my forefinger when I grip the handlebars, assuming my normal riding posture is enough to turn the LEDs on. Which means that, as long as my batteries are charged up, the gloves light up when I'm riding and turn off when I'm not. All with about six dollars of components, a cheap pair of gloves and some time.

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Jack Layton, poster-style

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I've been meaning to draw this since, well, late August. Finally have. It's another one (like Grace Hopper) that can be printed on 11x17 paper. Based on a photo from Wikimedia Commons.

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Look! It's Libre Graphics magazine issue 1.3

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background1point3.pngSeveral months later than anticipated (but good things are worth waiting for), my Libre Graphics magazine colleagues and I have finally released Libre Graphics magazine issue 1.3. And it's pretty great. I think it may well be the nicest one yet. There's some beautiful layout work, the cover is just plain incredible and our guest editors did a brilliant job of finding appropriate people to write on the topic, "Collaboration, collaboratively." Mosey over to libregraphicsmag.com to check it out. (Oh, and we've prettied up the website to match the issue, something we'll be continuing for future issues, too.)

I procrastinated you a ladybug

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I'm supposed to be working on a lot of something elses at the moment. So here's a ladybug, not one of the things I actually need to get done.

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Wheat, my delicious nemesis

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An antelope, for information cred

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It's been brought to my attention that my website and blog fail to properly indicate the place of Information in my life. It's a pretty big place, really. Come September, I'll be working on a PhD in Critical Information Studies. Which I suppose makes Information my work. So, to remedy the lack of representation, I've drawn an antelope (as in Buckland).

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